Pages

Showing posts with label Tendu. Show all posts
Showing posts with label Tendu. Show all posts

Monday, January 21, 2013

I am confused

I guess one of the most exciting parts of ballet is that you can go to any place in the world, take a class and be able to understand the teacher, even if you hardly speak their language.

The thing is, I do speak French, so I thought ballet classes would be quite easy to follow... especially since almost the whole terminology is always in French (even in Spain). But NO, nice reader! Things are not that simple. And you know why? Well, because in France a tendu is not the same thing as my Spanish teachers used to say! Here, a tendu is called a dégagé. And things would be fine if that was the only difference. But NO, because the word tendu also exists. A tendu in France is the fact of not pliéing when doing a movement. For example, you're in first position and you want to go on pointe: without bending your knees, you just go to demi-pointe and then to pointe. That would be a relevé en tendu. And I have to say I actually find it very practical: very precise!

Then there are many other things that have changed. For instance, I have never heard my teacher use the word passé. Never ever. She says something that sounds like jarret or jarré or something like that. If you're French I'd be thankful if you could help me with this one!

Also... it seems that our arms are never in fifth position. They are in couronne, which is a rather cool word. Oh, and jetés are no longer just jetés: they are now battement jetés. And grand battements are usually just battements. And pas de chats have now became sauts de chat! And I've heard my teacher say pique (/pik/), instead of piqué (/pik-ay/), but I'm still not sure if she says so just to fit words better with the music.

And then there are lots of new words. For example, a déroulé is this thing we do to practise with our pointe shoes and break them in. Starting in first position, plié, demi-pointe, pointe, tendu (like, straightening our legs) and then demi-pointe and heel to the ground in tendu.

Still, even if I am a little bit confused, I am loving every single second of class and I feel I am learning so much. I am really happy to have found this school and these amazing teachers. They are an absolute joy to take class with!

Also, one month left to see this live! - Tamara Rojo and Sergei Polunin in Marguerite and Armand.

Until next time, keep dancing!
Nerea.

Thursday, January 12, 2012

¡Talón!

Is there any word that your ballet teacher says a lot?

Mine, apart from "¡no!", likes to shout "¡TALÓN!" all the time. It literally means "heel!", but not literally, it means "push your heel forward so I can see your turnout, damn it!!!".
So basically, if we're doing a series of relevés, we hear something like this: "¡uno, talón, hop, talón, tres, talón, cuatro, talón, hop, talón, hop, talón, etc.!"
And the same happens when it comes to tendus and jetés: "¡y, fuera, talón, fuera, talón, fuera, fuera, fuera, talón!"

Kinda funny, guys!

This is not even possible!
Venus Villa's turnout
Remember your turnout!
Nerea.

Thursday, October 6, 2011

The Day when it happened

Today I went to my second ballet class of the year.
The first one, on Tuesday, was fine, but there were some new people, so it was slow. I have no problem with that, as we’re starting again after three months and I believe it’s better not to start with a full variation at the centre.

But I am here to write about today, which is going to be known as “The Day” from now on. Because, nice reader, “The Day” was good, so good. Barre was very simple; I did the exercises without much trouble, except for a: Nerea, try not to move your body so much when rond-de-jambe-ing with your left foot. Because, you know, Left Side is evil. It’s the Dark Side of ballet. I am such a disaster with my left part of the body, seriously.
Also, I could finally keep my balance for many seconds while doing a passé relevé, which is a huge achievement for me, due to my weird hips and knees.

Later we started with the diagonals, which consisted in walking. Yep, it was simply walking as ballerinas in first position. Mrs. C asked me not to be “so correct”. She said that my walking was technically perfect, but I should be more relaxed. I can’t help being tense; I haven’t danced in three months!

So when ballet class finished, a friend of mine asked the teacher about the possibility of attending pointe class this year. It was a private talk, actually, but when I finished putting my flamenco clothes on (because “The Day” wasn’t over yet), I joined the conversation. I said I was also interested in that, but Mrs. C thought it was maybe too early because we had been doing ballet for less than twelve months. She said that we shouldn’t join “Pointe Class” anyway, mostly because it’s for advanced people. There’s no pointe class for beginners right now. Nice reader, that is a shame, you know. She also said that she would try to arrange a thing on the timetable to make us come half an hour before our normal class to be able to do some barre work en pointe. BUT, that would be next year. NEXT YEAR, or as soon as in March, April or so. That is a total disaster. A total and absolute disaster, because next year I will be a graduate and I will not be in Salamanca for ballet class after June. But that was her last word.

Then, flamenco class with my flamenco classmates started. We’re currently dancing some beautiful alegrías, but I’m not comfortable. I’m, you know, used to delicate movements and tense body; I’m more classical! And that doesn’t have anything to do with the fiery steps of alegrías. So we’re doing a nice step in which you have to move your right foot forward and with it… you also have to move your right hip. Well, I can’t do that. I keep doing a tendu. And that’s not it. And of course, Mrs. C has realised, because she ALWAYS realises. She said she had the same problem when she started with flamenco after so many years of ballet. Ha! I’m not the only one! She suggested me to relax my body and to forget about ballet (which is not easy at all). So I guess I can say that the bad news are that I am not good enough at dancing flamenco because I am too ballet-y. Oh wait… are those bad news? I don’t really know.

Class finished and I got dressed normally to go back home. I was kind of sad. Or disappointed, or something. Mrs. C was at the reception when I was about to leave. I was determined to let her know that I had some pointe shoes at home which I wanted her to see if we were ever going to do some barre work, even if it was in April. I think I sounded a little desperate, actually, haha. No, but seriously, I told her that if she was going to teach us half an hour or so in April, I wanted to show her my old and crappy pointe shoes in case she didn’t like them and wanted me to buy some new ones. Because they are really crappy, guys. Really, really crappy…
And this is where magic begins!
The conversation was something like:

Mrs. C: Oh, but you already did pointe?
Me: Yes! I did a year and a half of pointe, a long, long time ago!
Mrs. C: I knew it! You have very strong legs and feet. You can do it! I just don’t want the rest of your classmates to injure themselves because of my decision. But you can do it!
Me: B-b-but…
Mrs. C: You can go to pointe class tomorrow. Speak with the teacher, she’s there.
Me: But… it’s an advanced level!
Mrs. C: You can do it. Go, have a look and try it. Hey, Mrs. M! Nerea took pointe class a long time ago!
Mrs. M: Ok, she can come then!
Me: B-but my pointe shoes are old… and… crappy!
Mrs. M: No problem, just bring them! I will see you tomorrow, Nerea!

And I stand there, open-mouthed. I take a deep breath and utter a shy “see you tomorrow, then!”
I leave, and while "The Day" comes to an end, I take my mobile phone and call my family with tears in my eyes.


Nerea.

Sunday, August 14, 2011

Ballet is French

When I was a child I was very normal. And as a normal, Spanish, little girl, I did not speak French.

When I went to ballet class, I used to learn the names of the steps by their sound. Actually, I think I didn’t know it was French, anyway. My mind worked this way: if Mrs. R said tandí*, I quickly pointed my foot. If Mrs. R said yeté*, I did the same, but separating my toes of the ground. No questions.

How could I imagine that those words had a real meaning and that they were in French? Nobody had told me! There’s no way I could know that my tandí was actually a tendu, which means extended; or my yeté, which is really a jeté, something thrown away. This makes things easier to remember, huh?!

It is funny that just some months before I stopped my ballet training, I started with my French lessons at the High School. I realised that I had a deeper knowledge of that new language than my fellow classmates, and most of all, because of ballet. You know, when you’ve heard many times that shanshmán* thing, you freak out when you realise it is spelled changement and it means change… But you don’t find it hard to remember! The same happened with many other steps: my padeshá* didn’t really look like a pas de chat until I knew I was doing a cat step. Same with my beloved padebugué*, which I still remembered when I (re)started a year ago, but I hadn’t realised it was a pas de bourrée. And finally that awesome gran ecar* of which I was so proud! Because, nice reader, there were some lovely times when I could actually do a grand écart! Unfortunately, those times are not here. But French is. And believe me: it’s making ballet easier and more fun (if that is even possible).

So… put a little of French in your lives. Give ballet a chance!
Nerea.


(*) I write the sounds just like I heard them when I was a child; c’est-à-dire in Spanish.