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Showing posts with label Rehearsal. Show all posts
Showing posts with label Rehearsal. Show all posts

Saturday, August 4, 2012

Graduated translator and jinxed dancer!

Hello, nice reader!
It's been a while! Let me explain you why! Lots of things have happened since that post in June. For real: LOTS of exciting things, so this is going to be quite a long text –consider yourself warned!

First of all, I spent the whole semester and, in particular, the whole of June working on my Bachelor's Degree Thesis, which was a didactic translation of Maurice Béjart's memoirs. As you can imagine, I had to work a lot, but still it was so much fun. I learned a lot, both about translation and about dance. It was a great experience. Then, the examining board seemed to like it a lot, which means that... I just graduated from university! I am now an official translator and interpreter, even though I am still not working. The good news is that I am going to Paris in October, to work as a Spanish Language Assistant at two high schools, which are located next to the Opéra Garnier. Isn't it exciting? Obviously, I have already registered myself in the POB website, because I'm planning a few trips to see them live. Duh!
Also, now I'm trying to find a flat in Paris, which is not an easy job, but I really hope I'll find something interesting and affordable before September!

My Thesis right after I finished it. It was time to celebrate!

In other news, I left my ballet studio a month ago, since I'm no longer going to live in Salamanca. It was really hard, nice reader.
We'd just done a beautiful performance for charity, for which we spent hours and hours at rehearsals. My life in June consisted basically on working on my Thesis, going to rehearsals, drinking water, eating food and sleeping (not much sleep, though). The day of the performance was brilliant. I had planned with my ballet classmates that we were going to make the most of it and enjoy it as if it was our last show, which we did. The rehearsals at the theatre were exciting, our group lunch was lots of fun and the performances were all fantastic. I took part on two dances from La Bayadère; the first one being the Fire Dance from the first act, and the second one, the D'Jampe with the ribbons (here's the video to the second one. Try to find me!). Also, my teacher choreographed a piece for us in, like, two weeks, with Vivaldi's Andante, Concert for two mandolins. And the last piece I danced in was the Fire Dance by Manuel de Falla, the same choreo we did in February. And I also had promised to my classmates I would try not to cry at the end... but I did, ok? But come on, it was my last day ever dancing with them! So I hugged my teacher while crying a LOT and then she told me that we could have a last class next Monday. So I stopped crying. Kind of.

And then I went to class on Monday and she had prepared the most amazingest class ever. EVER. Because she's adorable! She taught us Kitri's variation from the last act of Don Quixote. Which is, like, one of my favourite variations ever. It was also very strange, because we usually don't learn variations in class, the only exception being an excerpt of a variation from Paquita, which we didn't master at all. Sure, we didn't really learn the whole Kitri variation properly (we only had 45 minutes and we were wearing flats), but it was amazing! And also very exhausting. So that was my last class at the studio in Salamanca. I said goodbye to everyone, crying twice as much as I had cried the day before, and I also got the opportunity to write a page in the book the teachers have there for everyone that has ever been a student at that academy and then has left. Emotions! Weirdness!

And then... I came back to my hometown. And something kind of incredible happened! I have a friend who is a fashion designer. He's actually well known in Spain; he's good and has been invited to show his designs all around the world. So he was preparing a super big catwalk to celebrate his 25th anniversary as a fashion professional... and he asked me if I would like to dance during the spectacle, with one of his costumes and a fan. A FAN, you guys. You do know what came to my mind, right? KITRI. I'd just learned the variation and I had the chance to dance it en pointe, in front of thousands of people and wearing a gorgeous dress. So I said yes. The problem? Where could I rehearse? I had only done it once or twice and the show was one month away. So I talked to the mayor and he gave me permission to go to the local theatre to rehearse as many hours as I wanted, as many days as I needed. A theatre, nice reader. Not a really big theatre, but it's got a floor made of linoleum, just for me and my pointe shoes. Greatest thing ever. And this is the result of one of the afternoons I spent there:


And that's pretty much it. The day of the performance was actually not fun AT ALL. I woke up early because my father phoned me. He was at the place where the show was going to be held that night. Even though the non-permanent structure was designed for a catwalk, there was also a really big stage for me to dance on and for the models to stay at. The problem now? The organiser hadn't thought of a little person EN POINTE, who could not dance on a wooden and absolutely irregular floor. So I got dressed really quickly and went there almost running, to check it out. Exactly. It was absolutely impossible to dance on that surface. I put my pointe shoes on and tried to do it, but I was so afraid of falling off the shoes that I immediately had to say I wouldn't dance that night. Then I saw the long and narrow stage that was prepared for the catwalk. Its floor was so much better! I decided I could change a few things of the choreo, in order to adapt it to the super narrow stage and to the public, looking at me from both sides.

Myself trying to adapt the choreo to the tiny stage. The show was to be held that night.
I spent there like half an hour and then stopped because all the pedestrians had decided that it was more fun to look at me, desperated, marking and doing weird moves, than to continue with their walk. So I went to the theatre. And even though I didn't have any tights, I spent an hour or so rehearsing. BIG MISTAKE, nice reader. I wasn't feeling confident, I couldn't remember the dance or the new positions and my feet were hurting like hell. Like, I'd never, ever had so much pain on my toes. Maybe it was because of the stress. Maybe. The thing is, after that hour, I took off my pointe shoes and I had blisters. Some super painful ones. So I decided it was time to stop and have lunch.

In the afternoon I had to go to the hairdresser, who put on my head the biggest bun I've ever seen (I still don't know where all that hair came from). And then I tried to rehearse on the catwalk thing again. Worst rehearsal of my life. I almost fell down a hundred times (the floor was slippery), I couldn't remember anything, my toes were hurting and I wasn't able to avoid grimacing with pain. Literally. Horrible. Only two hours to go. I decided to stop for good.

Then the show started. I put my pointe shoes on and I waited for my turn. The spectacle was divided in four sections: the beach, the opera, the wedding and China. I was going to dance in the opera section. So when that part started, I was very nervous. Even more nervous when I saw that they were putting some enormous flowerpots on my stage. For decoration. Like, as if I hadn't struggled enough with the little space I had before. Seriously, what else could go wrong?!

And then it was my turn. Of course, the flowerpots were still there, so I improvised. I started doing my variation and I had to decide how to do the next step while I was dancing in front of a thousand people. I didn't dance well. I forgot about the technique, I didn't listen to the music as I should have and I didn't do things that I knew I could do. The weird thing is... it felt really well. I was happy to have been given that opportunity, so I didn't stop smiling at any point. I forgot that my toes were hurting. And I had fun. Ballet is incredible. The feeling of being on a stage is something you can't really explain with words. But after that experience I can really say that it is worth the effort. In my hometown nobody knows anything about ballet. I know I didn't dance well at all, but they loved it. They loved it so much that now I am "The Girl Who Danced". For real, nice reader. They've been talking about it for two weeks. I feel privileged! Next time, on a bigger stage, they'll see!

When I started writing this post I decided I was not going to show you the video of the actual performance, because, if you know something about ballet, you will not like it. I am not proud of it. I'm just proud of my feelings during the dance and after it. Now I've decided you can watch it because you know my story. Here you are: you can compare it to the rehearsal, if you like.


And well, that's it.
I have more plans for the future, but for now, I'll just try and find a flat in Paris... and then let the fun begin!

Nerea.

Tuesday, February 28, 2012

Anoche en el Bretón...

So it's been more than a week since we performed our Quintuple Bill.
The whole spectacle was called Anoche en el Bretón..., something like Last night at the Bretón..., which was a theatre located here, in Salamanca. The performance was inspired by the only visit the Ballets Russes made to this city, back in 1918 in that theatre. At the time, the company came and danced Le Carnaval, Les Sylphides, Le Spectre de la Rose and The Polovtsian Dances from Prince Igor.

So our ballet school -whose students have founded the Ars Movendi dance association- created a new vision of that night. We performed all those dances in a different way; kind of neo-classical and some of them were even contemporary. We also added a fifth piece, the Ritual Fire Dance, by Manuel de Falla, danced by the whole company as a way to put an end to the spectacle.

And let me say it was a huge success. We danced in front of a full house! There were even people sitting on the stairs! We were told it had been very beautiful and as I went out of the theatre, I heard many comments which made me believe that the public had actually had fun and enjoyed the show a lot. The day after, there were articles in all the local newspapers, some of which had really good critics. They even interviewed our choreographer on the radio!

Needless to say, we, the company members, had so much fun. The final purpose of all the things we learn in class everyday is to be able to show them; to be able to perform in front of a crowd at some point. When we were told we had this opportunity, we all got very excited. You can imagine our dressing rooms, full of happy people taking pictures and recording videos, laughing and dancing around... But the real magic happened at the moment we got onstage and started to dance. It is a feeling that only those who have already danced on a stage can understand. It's something like happiness, excitement, nervousness, sparks, rainbows and unicorns, all mixed together and exploding. Duh! Do you get what I mean?

As for me, I can honestly say that it was one of the greatest days of my life. I spent my whole evening recording backstage videos and hanging around with my ballet classmates as we got our hair and make up done and we put our dresses on. Oh, and I felt free onstage. I stopped thinking of all the steps I had done a hundred times during rehearsals and I focused on having fun, smiling and making the most of it. And it worked; it was amazing. I am very happy I could perform in Salamanca again, along with my wonderful classmates and under the watchful eyes of my three ballet teachers, who were supervising the whole thing. I am going to miss them all SO MUCH after June.

So... that's all. I leave you with a picture and the video from Les Sylphides, which is the part I danced, as well as the video of the Ritual Fire Dance, with the whole company. Oh, and in case you're interested, you can see all the other pieces by searching for Ars Movendi on YouTube.

Les Sylphides. I am the one on the right.
Don't look at my right foot; I was having trouble with my balance there!











Until next time...
Keep dancing!
Nerea.

Monday, January 23, 2012

It wasn't embarrassing, but it does hurt!

Last minute of class. We were doing some temps levés en arabesque with a chassé and the floor was a little slippery, so I lost my balance and fell down with all the impulse on my knee. Yes, the very same knee that was already bruised. So I got up quickly, Mrs. M asked if I was alright, I said yes (my pride, you know) and continued dancing.

When class finished I looked in the mirror and I saw my torn tights and my blood and... let's just say that it wasn't very funny.

Yep, I fell down in class, I got a cut that hurts a lot and I ripped my tights.
So what? Professionals fall all the time. Even the amazing Sylvie Guillem! I've got over it! I'm already getting ready for a two-hour-long rehearsal tomorrow afternoon! Say what?

National Ballet of Canada - Photo: Cylla von Tiedemann

Let's dance!
Nerea.

Sylphides update

Last week was a pretty busy week.

I had four days of dancing, including two classical ballet lessons and two long rehearsals for Les Sylphides. Oh, and also a dress fitting. I can now tell you, nice reader, that the only thing about the performance which has to do with Les Syphides is the music.
The costumes are pretty, but they are blue and completely different from the ones worn by the sylphids in the ballet. And the choreography is also very, very different. It's neo-classical, kinda contemporary and we don't wear pointe shoes. But I like the whole thing, anyway!

On Saturday we finished learning the choreography. You know I've just been "promoted" from beginners level to intermediate, so I guess you also understand that I feel a little behind the rest of the class. It's more difficult for me to get to remember and perform all the steps and I'm feeling really challenged. But I'm determined to rehearse a lot and I'll do my best!

The performance will be in February 17th, and until then I'll have classes and rehearsals from Monday to Saturday; at least eight hours a week (well that's crazy, innit!). Oh, and my choreographer told me that whenever I have free time I can go to the studio to practice. Free time? Me? You know that now I'm in Salamanca just because of ballet, right? I have no uni classes! I'd be in the studio during the whole day if possible! So maybe I'll get to add some more private lessons with her so I can work on my déboulés and soutenus, which are giving me a lot of trouble... and unfortunately there are lots of them in the choreography!

That's all for now!
I leave you with a quote by my choreographer:
"Give a hundred per cent of your dancing during rehearsals so when I ask you for 120% during the performance you won't run out of stamina! Make the most of every rehearsal!"


Nerea.

P.S.: I had to buy a knee bandage because my right knee was giving me a little trouble due to my falling on it over and over again during the beginning of the choreography.

Sunday, December 11, 2011

Ballet is hard and stuff

So this girl went to her first rehearsal for Les Sylphides on Friday and the day after she found this super nice thing:

These are my knees, yeah. Nice bruises, huh? And they hurt, in case you're wondering.

Lovely, innit?!
Nice to know that pink tights cover everything up, because if I get three bruises after each rehearsal, I won't have acceptable legs to dance with in January.

Keep dancing, anyway!
Nerea.